BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Lincoln Square BID - ECPv6.15.17//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Lincoln Square BID
X-ORIGINAL-URL:https://lincolnsquarebid.kudos.nyc
X-WR-CALDESC:Events for Lincoln Square BID
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/New_York
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20240310T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20241103T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20250309T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20251102T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20260308T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20261101T060000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251013T103000
DTEND;TZID=America/New_York:20251013T200000
DTSTAMP:20260410T033810
CREATED:20251006T173142Z
LAST-MODIFIED:20251007T190108Z
UID:10004064-1760351400-1760385600@lincolnsquarebid.kudos.nyc
SUMMARY:Syncopated Stages: Black Disruptions to the Great White Way
DESCRIPTION:Although the common nickname for Broadway\, “the Great White Way\,” refers\, historically\, to its dazzling lights\, the phrase also suggests the ways in which many histories of New York theater center white artists. Black artists\, though\, have been important shapers of musical theater in the United States before the electric light was ever used on stage. In the early 20th century\, Black composers and writers created many popular musicals in New York that helped define the genre\, setting it apart from 19th-century traditions. New forms of syncopation\, the disruption of the dominant rhythm\, and narratives composed and written by Black artists challenged the prevailing sounds and depictions of Black people on stage. These innovations were more than stylistic. They pushed back against exclusion and stereotype\, laying the groundwork for generations of Black artists whose contributions have reshaped Broadway. Syncopated Stages spotlights their work\, acknowledges the challenges they faced\, and celebrates the brilliance of what they made. We invite you to explore how Black artists transformed the New York stage and how their work still reverberates today. \nThis exhibition is organized by The New York Public Library for the Performing Arts and curated by playwright\, professor\, and scholar Michael Dinwiddie. \nPhoto credit: The New York Public Library for the Performing Arts
URL:https://lincolnsquarebid.kudos.nyc/event/syncopated-stages-black-disruptions-to-the-great-white-way/2025-10-13/
LOCATION:The New York Public Library for the Performing Arts\, 40 Lincoln Center Plaza\, New York\, 10023\, United States
CATEGORIES:Culture,Education,Free
ATTACH;FMTTYPE=image/webp:https://lincolnsquarebid.kudos.nyc/wp-content/uploads/2025/10/NYPL-Performing-Arts.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251013T140000
DTEND;TZID=America/New_York:20251013T160000
DTSTAMP:20260410T033810
CREATED:20251009T200016Z
LAST-MODIFIED:20251009T200016Z
UID:10001091-1760364000-1760371200@lincolnsquarebid.kudos.nyc
SUMMARY:Ties to Beethoven
DESCRIPTION:Chelsea Wang piano\nHina Khuong-Huu violin\nJulia Schilz violin\nMaurycy Banaszek viola \nRoni Gal-Ed oboe\nVadim Lando clarinet\nKarl Kramer horn\nGina Cuffari bassoon\nBEETHOVEN Piano Quartet in C Major WoO 36 No. 3 ▪ 1785\n~ precocious charm\, with a dominant\, snappy piano part—his most ambitious early composition from a set of 3 quartets written at age 14 \nBeethoven was a piano prodigy and performed in public at age 7. When he was 10 years old\, he became the assistant to the new court organist in Bonn\, Christian Gottlob Neefe\, who introduced him to the art of the fugue and the study of Bach’s Well-Tempered Clavier. In 1783\, Beethoven was described in Magazin der Musik as “a boy of eleven years and a most promising talent. He plays the piano very skillfully and with power\, reads at sight very well…. [Neefe] is now training him in composition…. This youthful genius…would surely become a second Wolfgang Amadeus Mozart if he were to continue as he has begun.” The quartets were modeled after a set of Mozart violin sonatas published in 1781\, while revealing his distinct musical style that anticipates his later work. He later used some of the themes in his Piano Sonata No. 1 in F minor\, which he wrote about 10 years later in 1795. It is also one of the earliest works for the innovative instrumental combination of piano\, violin\, viola and cello. The set of Quartets was published in 1828\, the year after his death\, when the Viennese publisher Artaria acquired the manuscripts. \nPhoto credit: Wikimedia Commons
URL:https://lincolnsquarebid.kudos.nyc/event/ties-to-beethoven/2025-10-13/1/
LOCATION:Jupiter Symphony Chamber Players\, 152 West 66th Street\, New York\, 10023\, United States
CATEGORIES:Entertainment
ATTACH;FMTTYPE=image/jpeg:https://lincolnsquarebid.kudos.nyc/wp-content/uploads/2025/10/Good_Shepherd-Faith_Presbyterian_Church.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251013T193000
DTEND;TZID=America/New_York:20251013T213000
DTSTAMP:20260410T033810
CREATED:20251009T200016Z
LAST-MODIFIED:20251009T200016Z
UID:10001092-1760383800-1760391000@lincolnsquarebid.kudos.nyc
SUMMARY:Ties to Beethoven
DESCRIPTION:Chelsea Wang piano\nHina Khuong-Huu violin\nJulia Schilz violin\nMaurycy Banaszek viola \nRoni Gal-Ed oboe\nVadim Lando clarinet\nKarl Kramer horn\nGina Cuffari bassoon\nBEETHOVEN Piano Quartet in C Major WoO 36 No. 3 ▪ 1785\n~ precocious charm\, with a dominant\, snappy piano part—his most ambitious early composition from a set of 3 quartets written at age 14 \nBeethoven was a piano prodigy and performed in public at age 7. When he was 10 years old\, he became the assistant to the new court organist in Bonn\, Christian Gottlob Neefe\, who introduced him to the art of the fugue and the study of Bach’s Well-Tempered Clavier. In 1783\, Beethoven was described in Magazin der Musik as “a boy of eleven years and a most promising talent. He plays the piano very skillfully and with power\, reads at sight very well…. [Neefe] is now training him in composition…. This youthful genius…would surely become a second Wolfgang Amadeus Mozart if he were to continue as he has begun.” The quartets were modeled after a set of Mozart violin sonatas published in 1781\, while revealing his distinct musical style that anticipates his later work. He later used some of the themes in his Piano Sonata No. 1 in F minor\, which he wrote about 10 years later in 1795. It is also one of the earliest works for the innovative instrumental combination of piano\, violin\, viola and cello. The set of Quartets was published in 1828\, the year after his death\, when the Viennese publisher Artaria acquired the manuscripts. \nPhoto credit: Wikimedia Commons
URL:https://lincolnsquarebid.kudos.nyc/event/ties-to-beethoven/2025-10-13/2/
LOCATION:Jupiter Symphony Chamber Players\, 152 West 66th Street\, New York\, 10023\, United States
CATEGORIES:Entertainment
ATTACH;FMTTYPE=image/jpeg:https://lincolnsquarebid.kudos.nyc/wp-content/uploads/2025/10/Good_Shepherd-Faith_Presbyterian_Church.jpg
END:VEVENT
END:VCALENDAR